Friday, May 2, 2014

Studio Visit: Elena Stonaker



In March, I had a wonderful studio visit with Elena Stonaker, here in Los Angeles. Elena creates all pieces by hand – beading & stitching intricate soft sculptures and wearable art, as well as painting mythical universes connecting the earth to the mystical on paper, canvas and clothing. Here are images and snippets of our conversation from this visit. 


photo by Shelby Duncan | artwork image courtesy of Kime Buzzelli


hand-painted dress in the studio | music video for Bitches | Elena's wearables at the recent Juxtapoz Psychedelic Book Release Party & Exhibition, photo by John Bajana


I love the concept of Elena's artwork progressing as it's own entity, transforming from one version of itself to another – metamorphosis, a recycling of itself into another existance. What was once a soft sculpture transforms into wearable art or vice versa.  Some of the most important themes in her work are about creation and transformation.

"Life naturally moves in cyclical patterns. In the cycle of a year there is birth, growth, harvest, death. To allow my art to change purpose over time, to be destroyed and then resurrected in different forms,  follows a natural rhythm. I love every stage – death as much as birth. Time never ends. Nothing is ever finished. I am never finished. Perpetual change."





There is such a clear and potent expression of symbology and mythology in Elena's art, creating a direct way to connect universally and a path to take power within one's own world.

"I choose images that have withstood time and crossed cultural borders: eyes (powerful vision, hearts (love, consciousness), conjoined figures (total connection), breasts (feminine nourishment / sensuality), mouths with tongues sticking out (Kali - the creator / destroyer), snakes (infinite transformation), female genitalia (birth, sex), birds (flight, freedom), plants (life, magic), hands (creation) and variations on Yin and Yang."


Elena's soft sculpture captured by Mario Zoots | Carly at Salvation Mountain | Elena by Shae DeTar

mural at The End, a vintage and designer shop, 55872 TwentyNine Palms Highway, Yucca Valley, CA 92284 | detail of painting | detail of hand-beaded necklace




Elena's work is highly influenced by mythology, folk crafts, ritualistic objects and ceremonial wear. Peeks of Niki de Saint Phalle, Leonora Carrington, Louise Bourgeois, Hieronymus Bosch come through in her art. Recently making Los Angeles her new home from New York City via Denver, she's been embraced and influenced by a magical tribe of creative visionaries including Carly Jo Morgan, Sarah Buckley, Augustus Britton, Jacqueline Suskin, Tracy McCarty and Astral Eyes.



Elena and studio manager, Sarah Buckley working on a sculpture, taken by Dan Rowan | detail shots of the extensive hand-work that goes into each piece

Carly's wedding dress and ceremonial hanging created by Elena, taken by Shelby Duncan who in addition to her extensive span of editorial, portrait & lifestyle work, also does rad wedding photography 


Elena's parents have been a constant positive force in encouraging her to follow her own bliss. She grew up surrounded by clay figurines, intricately carved wooden furniture, colorful weavings, handmade textiles and various relics from India, Egypt and Columbia – where her father's Midwestern family had lived for periods of time for her grandfather's cattle genetics business. All of those culminate to channel her own mythology and visual aesthetic.

Marina, Elena's mother was a navy brat who grew up mainly in Oahu and earned her college scholarship as a figure roller-skater. [Rad! I used to roller-skate to school and literally hunch down as I rolled in late to the back of my Environment Bio class.] Marina had an interest in botany which led her to Colorado where she met and married Elena's father, Frank. Together, they started an organic farm and greenhouse business. Today, she practices energy medicine after many years of being a Waldorf teacher and an ardent student of Rudolf Steiner's philosophy. Frank is an avid nature worshipper who took the family on backpacking excursions, setting up teepees and yurts. To pursue his dream of owning an orchard, Frank recently abandoned his newly earned tenure as a university professor in Organic Agriculture. 

With these earthen roots flowed from her parents, Elena was born in the midst of strawberry season. Much of her childhood was spent outdoors, cultivating a friendship with the dirt, bugs, flowers, and understanding the cycle of seasons. With the Waldorf upbringing, Elena intertwines the teachings into her work – exploring the evolution and beautiful rituals that celebrate the spirit.






photo by Ted Emmons


Currently Elena's art is on view at the Juxtapoz Psychedelic Book Exhibit. Limited edition lithographs, original art and prints of her work are at elenastonaker.bigcartel.com. She is also available for inquiries on existing work, commissions and bookings.




Thank you Elena and Sarah!! Love you both, ladies. xo

All photos taken by Sherise Lee for The Radder except where noted.
Many thanks to all the talented photographers who let me share their work.






Thursday, May 1, 2014

LA, I'm Yours: The feeling is mutual


Thank you LA, I'm Yours for the shout-out! Coming from one of my absolute favorite LA sites, it's totally an honor. 


Michelle Blade at CULT


There are so many reasons why I wish I was in San Francisco longer this Spring! Including Michelle Blade's first solo show, 'Gathering Into Being' at CULT | Aimee Friberg Exhibitions in the Mission District, featuring new large and medium scale works on both canvas and paper.

Now let the water represent the world of sensible facts, and let the air above it represent the world of abstract ideas. Both worlds are real, of course, and interact; but they interact only at their boundary, and the locus of everything that lives, and happens to us, so far as full experience goes, is the water. We are like fishes swimming in the sea of sense, bounded above by the superior element, but unable to breathe it pure or penetrate it. We get our oxygen from it, however, we touch it incessantly, now in this part, now in that, and every time we touch it, we turn back into the water with our course re-determined and re-energized. -William James








So ethereal and other-worldly! I would absolutely love to see this in person. 
Random additional info: the gallery is in the space of the now-closed Queen's Nails Gallery which was co-run by Bob Linder & Julio César Morales.



Gathering Into Being by Michelle Blade
on view through June 7th, 2014
CULT | Aimee Friberg Exhibitions | 3191 Mission Street, San Francisco, CA 94110

all images via Michelle Blade & Cult Exhibitions





Cry Me A Rainbow : April Rose, Rainbow Kimono


Cry Me A Rainbow is a collection of purging prisms by artist April Rose opening tomorrow at Bell Jar in San Francisco. This compilation of work is "a full expression of joy through ceramics and fiber made up of April's blood sweat and rainbow tears. Each unique piece is an outpouring of happiness."



April's work is magical on a high vibrational level with so much kinetic energy radiating from each piece. I particularly love the images she captures of her process and progress for this exhibit which will feature her newest textile, ceramic & collage wearables and wall hangings. This show represents a culmination of April's influences – where pop art, folk art and the surreal intersect.



And I can't get enough of this video!



April Rose is an illustrator, textile, ceramic and collage artist who likes to create and discover tiny galaxies. She is based out of Oakland, CA.

BellJar is a clothing, jewelry and apothecary boutique in the Mission District, SF that has been hosting and supporting local artists for over 7 years. There will be live music and cocktails at the reception.

So excited for this show, I wish I could be there. It looks amazing. Congratulations April!


Cry Me A Rainbow by April Rose
opening reception Friday, May 2nd 6 - 9pm
on exhibit through early June
Bell Jar  |  3187 - 16th Street, San Francisco, CA 94103


all images courtesy of April Rose

Tuesday, April 29, 2014

Birthday Schmirthday!


Boom! Another one. How did that happen? Last year I wasn't so hot on the birthday and it took me 6 months to settle in. Now I'm ALL in, not taking myself too seriously and feelin' dyn-o-mite!

Like a Lisa Frank scrapbook, I slapped this dorkus thing together fast – comprised of pics since we've moved here: flowers from our yard, ocean sunsets (I did say dorky, laying the cheese on real thick, but hey we're getting those LA sunsets), stained glass, fire + metal (two elements I previously avoided b/c I thought it would never meld with my earth + wood leanings) and most importantly radiating positive thoughts of my family + friends.

Sending love, radical vibrations and goodness out there to everyone.

xo Sherise


Saturday, April 26, 2014

Juxtapoz Psychedelic Book Release Party & Art Exhibit


Oh so good.

Tonight at The Well in LA, Juxtapoz will be celebrating the release of 'Juxtapoz Psychedelic.' To say I'm stoked this book is out is an understatement. Psychedelia is obviously fascinating as an art genre, but on a personal level, it is ever-present. The book features work running from mystic art rulers Alex Grey (!) and Keiichi Tanaami (!) to now artists Steve HarringtonAndy Gillmore (whose work graces the cover) and many radical others.

The exhibition is up through May 13th, 2014 and will present art by all the awesomely talented beings listed in the flyer above including some of my favorite hey ladies representin' the double x chromosone factor: Kylea Borges, Deanne Cheuk, Maya Hayuk and Elena Stonaker.

Juxtapoz Psychedelic Book Exhibit
Release Party Saturday, April 26th 7pm - 12am
**RSVP** here
Exhibit on display through May 13th
The Well | 1006 S. Olive Street, Los Angeles, CA 90015


Friday, April 25, 2014

Kohei Oda x Adam Silverman at Chariots on Fire


The exquisitely curated shop / creative studio in Venice, Chariots on Fire has commissioned renowned LA-based potter Adam Silverman to create a new set of work filled with the plant artistry of Kohei Oda, owner of Qusamura, an award-winning plant boutique in Hiroshima, Japan. The result is "A Tale of Plant & Pot" on view now through May 1st with the opening reception this Sunday, April 27th.

In keeping with Chariots on Fire philosophy of mixing old with new, local with international, both artists worked independently in the US and Japan respectively. Each sharing a common vision based on their love of the natural world and the age-old harmony between pot and plant. The union comes together as an exchange of ideas formed by an understanding of space & form, and the timeless relationship of art to nature.




This practice of 'grafted cactus' is the art and science of connecting two pieces of living plant tissue together to grow as one composite plant. Kohei Oda uses this technique to preserve the original nature of the plant and to allow it to thrive and grow in unexpected forms. RAD. All the cacti are grafted and most are very rare species. The cactus are composed of two elements: the tops (rootstock) and the base (scion). Usually, the tops will grow, multiply and flower, while the bases don't grow so much, they can sprout additional arms. His philosophy has always been to work with plants that have personality, to salvage what could be discarded as a damaged plant, to see the potential in each imperfection. In Japanese, the word for horticulture is EN-GEI: EN - meaning garden, GEI - meaning performance. For Oda, it is the GEI that he accentuates, allowing the plants perform as individuals. 

Kohei Oda has a blog which gives a peek into this fascinating process. His non-traditional approach to horticulture earned him a Wallpaper Design award in 2013 and has exhibited widely in Japan. This will be his first show in the US.


Adam Silverman is .... uh AWESOME: he has a BFA in Architecture from RISD, was a practicing architect in California, is co-founder of X-Large & X-Girl and earned an MBA from UCLA. Throughout his "career meanderings," Adam had made pots as a hobby, which he started doing in high school and went on to become a full-time professional potter in 2002. I first saw his work in this 2005 fantastic 6-page article in Brutus Magazine. Since '08 Adam has been partner and studio director of Heath Ceramics. He has exhibited extensively in the US and Japan including large-scale installation work that gives a connection to architecture.

Kohei Oda's living sculptures in play with Adam Silverman's other-worldly textural glazed experimental pottery showcase the beauty in the perfectly imperfect.

Graphics and packaging by Tamotsu Yagi Design who also designed the Rizzoli monograph on Adam Silverman released last fall.



A Tale of Plant & Pot : Kohei Oda & Adam Silverman
Opening Reception with artists Sunday, April 27th, 5 - 7pm
On view through May 1st now extended through May 7th 
Chariots on Fire | 1342 1/2 Abbot Kinney Blvd., Venice, CA 90291

all images courtesy of Chariots on Fire